G Stomps & Co. Chairs (1870-1890)

I received two walnut chairs from a customer that needed the seats caned and the arms tightened. I would call these chairs Renaisance Revival due to the date of manufacture and the overall style. After having the seats caned I was gluing the arms when I came across a stamp on the underside of one of the chairs. between the two chairs I could make out that the stamp read " R.P. Burkhardt's Patent Manufactured by G. Stomps & Co. Dayton, Ohio". After doing some research I found out that this company was a partnership between Gustave Stomps (1827-1890) and R.P. Burkhardt and operated under several different names for the last half of the 19th century in Dayton, Ohio. The company operated as "G Stomps & Co." from December 1869 until 1890 when they changed the name to " Stomps-Burkhardt Company. For a Detailed look at the life of Gustave Stomps and some Biographical information on R.P. Burkhardt as well follow the two links below.The info on Stomps is about two thirds of the way down the page. The info on Burkhardt is under the heading of Frank Burkhardt. Here are the links:

Gustave Stomps: http://www.daytonhistorybooks.com/page/page/1676522.htm

R.P. Burkhardt: http://www.daytonhistorybooks.com/page/page/1609004.htm

One of the chairs with it's arm removed.Gluing the arm back on.Gluing both arms and some loose joinery on the other chair. You can see the new cane in all of these photos.

Transitional Rococo - Renaissance revival 7 pc. Parlor Set Part 2

For a look at part one of this entry, here is a link:

http://johnmarkpower.blogspot.com/2009/11/transitional-rococo-renaissance-revival.html

The next step in the process of restoring these chairs was to make all of the repairs to the frames. Most of this involved fine tuning repairs made previously by another restorer. In addition there were many cosmetic repairs to make and also loose veneer to glue down. I also included some photos of a small patch put in on the settee. Below are photos of all of these repairs.

Gluing down loose veneer on the seat frame.

More loose Veneer.

These two chairs are having loose veneer glue down. If you look closely you can see little pieces of blue masking tape on each chair. Each piece of tape marks a place where the chairs need cosmetic repair.

Gluing a patch in place on the settee.

The patch once it had dried in place.

A photo of the patch after it has been carved and sanded.

Transitional Rococo-Renaissance Revival 7 Pc. Parlor Set (Ca.1860)

I have been working recently on a set of Victorian parlor furniture. the set consists of a Setee, a Gentleman's chair (with full arms), a Ladies chair (Similar chair without arms) and a set of four side chairs (smaller versions of the Ladies chair). This set of seating furniture dates from 1860 – 1880. The overall style of the furniture is Rococo while showing some Renaissance Revival elements (Mostly in the crest carving). The Rococo Revival Movement (1840-1865) in furniture overlapped with the Renaissance Revival Movement (1860-1880) and in fact was in production to some extend for the second half of the 19th Century. These pieces come from the Late Rococo period and show the influence of machines in the fabrication of furniture. The ornate hand carved elements seen in the earlier Rococo examples have been simplified for the mass production of furniture. While this is the case, sections of the chairs were definitely carved by hand as creating these pieces by machine alone would have been impossible at this point in time.

The ornamentation of Rococo Revival tended to use foliage and fruit motifs as accents while the later Renaissance Revival movement drew inspiration from architectural motifs. The design of the crest rail draws more inspiration from the later period. The overall lines of the set including use of Cabriole legs points towards Rococo (True Renaissance Revival pieces would often have a turned front leg.) For these reasons one can refer to these pieces as being transitional. Transitional pieces like these are often found during this time because manufacturers had an easier time creating and blending these styles. This in no way diminishes the value of a piece.

The set came to me without upholstery and in need of mostly cosmetic repair. There was some gluing of the frames to be done first however, and I have posted Photos of the gluing process.

What is interesting about these chairs is that when gluing them, a restorer has to be creative with clamping since there are now square edges. I find that it is easiest and most effective to use ratcheting band clamps to get a good strong bond. The photos below show these and other clamping ideas in action.

Several of the chairs had loose joinery in the base which needed to be cleaned and glued.Gluing up the Ladies chair with multiple band clamps.Tightening a loose joint.Gluing the arms on the Gentleman's chair using clamps clamped to block clampsA fuzzy picture of one of the side chairs being glued upGluing a joint with F clamps clamped to block clamps