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The ornamentation of Rococo Revival tended to use foliage and fruit motifs as accents while the later Renaissance Revival movement drew inspiration from architectural motifs. The design of the crest rail draws more inspiration from the later period. The overall lines of the set including use of Cabriole legs points towards Rococo (True Renaissance Revival pieces would often have a turned front leg.) For these reasons one can refer to these pieces as being transitional. Transitional pieces like these are often found during this time because manufacturers had an easier time creating and blending these styles. This in no way diminishes the value of a piece.
The set came to me without upholstery and in need of mostly cosmetic repair. There was some gluing of the frames to be done first however, and I have posted Photos of the gluing process.
What is interesting about these chairs is that when gluing them, a restorer has to be creative with clamping since there are now square edges. I find that it is easiest and most effective to use ratcheting band clamps to get a good strong bond. The photos below show these and other clamping ideas in action.
Several of the chairs had loose joinery in the base which needed to be cleaned and glued.
Gluing up the Ladies chair with multiple band clamps.
Tightening a loose joint.
Gluing the arms on the Gentleman's chair using clamps clamped to block clamps
A fuzzy picture of one of the side chairs being glued up
Gluing a joint with F clamps clamped to block clamps
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Hi:
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I have an identical chair. What would value this chair at?
ReplyDelete