Repairing a cracked seat

The photos below are of a dining chair which I was asked to glue up. One other problem with this chair was that the seat had a crack running with the grain from back to front. On a plank bottom chair, this would mean gluing the two sections together, but on this particular chair, the seat had boards underneath preventing the seat from coming together. The answer was to insert a long wedge in the gap, carve it down so that it was flush, and touch the wedge up to look like the rest of the seat.

The wedge was cut at a 5 degree angle on the table saw and several kerfs were cut into the wedge across the grain so that it would bend to conform with the seat.

The chair with the spline inserted in the seat. the joinery was also getting glued up on the chair.A close up of the wedge. you can see the places where the wedge was cut to conform to the shape of the seat.The wedge after most of the excess material has been removed.The seat after it has been sanded and touched up.

Art Nouveau Mahogany Rocking Chair (ca.1930-50)

I recently received a Mahogany rocker that has an Art Nouveau style overall. This being said, I don't feel that this rocker dates to the turn of the century. The construction and condition of the chair lead me to believe it was made sometime between 1930-1950.

Whatever the date, this is a nice rocker! it has a wide carved seat and looks to be very comfortable. the crest of the rocker has carved White Oak leaves in it and all of the turnings are very nice.

The main repair of this chair was that the rocker had come off. In addition, there was some loose joinery underneath the seat. below are some photos of the rocker being glued on and the finish after it had been cleaned.

The rocker being glued on.The crest rail with the Oak leaf carving.Here is a close up of the carving.Another photo of the rocker with the restored finish.

Four More Gustave Stomps Chairs

Upon returning the two Gustave Stomps chairs I recently worked on I was presented with four more which were in need of gluing. In addition, two were missing a piece that is applied under the front of the seat of the chair. the customer had one, which I used as a template to create the second. Her are some photos of the piece being made as well as some photos of two of the chairs being glued.
The blank cut on the band saw. the piece has a curve to it that matches the curve of the seat. the wood here is Walnut.
The piece (on the top) after it has been cut to resemble the template piece.The piece (on top) after it has been stained.One of the chairs disassembled for cleaning of the joinery.The above chair being glued up.A second chair being glued.

Completed American Empire Tables

Below are some photos of the two American Empire "Pillar and Scroll" Tables I have been working on completed. The first table is the work table with drop leaves. If you look at previous posts you can see how different this piece looked when it arrived. Besides the repairs, the overall color of both tables lightened considerably due to being cleaned. In addition, the grain can be seen much more clearly.

The work table with the leaves up.

The work table with the drop leaves down.

The pedestal or center table .

G Stomps & Co. Chairs (1870-1890)

I received two walnut chairs from a customer that needed the seats caned and the arms tightened. I would call these chairs Renaisance Revival due to the date of manufacture and the overall style. After having the seats caned I was gluing the arms when I came across a stamp on the underside of one of the chairs. between the two chairs I could make out that the stamp read " R.P. Burkhardt's Patent Manufactured by G. Stomps & Co. Dayton, Ohio". After doing some research I found out that this company was a partnership between Gustave Stomps (1827-1890) and R.P. Burkhardt and operated under several different names for the last half of the 19th century in Dayton, Ohio. The company operated as "G Stomps & Co." from December 1869 until 1890 when they changed the name to " Stomps-Burkhardt Company. For a Detailed look at the life of Gustave Stomps and some Biographical information on R.P. Burkhardt as well follow the two links below.The info on Stomps is about two thirds of the way down the page. The info on Burkhardt is under the heading of Frank Burkhardt. Here are the links:

Gustave Stomps: http://www.daytonhistorybooks.com/page/page/1676522.htm

R.P. Burkhardt: http://www.daytonhistorybooks.com/page/page/1609004.htm

One of the chairs with it's arm removed.Gluing the arm back on.Gluing both arms and some loose joinery on the other chair. You can see the new cane in all of these photos.

More work on the two tables

Below are several additional photos of repairs made to the two Pillar and Scroll tables I am working on.

This is a photo of more veneer being glued down on the base of the two drawer stand. Gluing down more veneer.

The base needed to have some molding replaced. The two pieces in the photo below were used againThe new piece of molding ready to be cut to shape. The new molding in place. I drilled holes for the old nails to go through. they hold the piece together. The molding is sandwiched between the base and the pillar and glued in place.

The base of the two drawer stand being glued.

The top of the pedestal table once it has been sanded and stained.Starting to coat the top of the pedestal table in the bottom of the photo you can see more veneer being glued down.

The Cabinet Makers Assistant: Pillar and Scroll Design

Happy New Year! I have been working on two American Empire pieces which I have written several previous posts about. The first is a pedestal table and the second is a drop leaf two drawer stand. In researching these pieces I discovered that they are both part of a sub-category of American Empire which is called "Pillar and Scroll" furniture. This style of design came about during the later years of the American Empire movement and seems to have come into fashion around 1840. This coincided with the publication of "The Cabinet Makers' Assistant, Embracing the Most Modern Style of Cabinet Furniture" written by Baltimore Maryland architect and cabinetmaker John Hall in the same year. In doing my research I came across a reprint from 1944 of this publication and purchased it.

This publication of John Hall's design book in 1840 marked several firsts in the manufacture of furniture in America. First, This was the first design book published in the United States that promoted American designs. This being said, the "Pillar and Scroll" style was heavily influenced European styles but the particular construction methods and overall design of the pieces were something new.

Another first is that this marks a change in direction in furniture manufacture. As it became easier to produce furniture in a mass production setting with the use of mechanical tools like a band saw it became necessary to design furniture that could be constructed in this fashion with ease. The "Pillar and Scroll" style answered this calling. The forms were cut (using a band saw) out of a secondary wood like Pine or Poplar. The Mahogany veneers were then applied to the forms to produce an individual section. Usually there was no decorative carving and pieces could be put together rapidly and efficiently.

Below I have included some pages from the reprint I obtained. they deal with the design elements of the pieces I am working on.

The inside cover of the book.

This page shows different shapes used for the base of tables and the feet. It is interesting to note that Hall designed these pieces to have separate feet. In most of the examples I have seen of this furniture, the feet were cut from the same form as the base. The page also shows some pillar designs.

This page shows dimensional drawings of the base and also some more pillar designs.

Hall refers to these tables as Ladies' Work Tables. The piece I am working on is a mixture of the two. the top half resembles the drawing on the left while the bottom half the drawing on the right. One other point o interest. I notices that on the four bottom corners of the top section, the piece had been turned and then something sawed off. My guess is that they may have originally built the piece with legs and then decided to put on a base instead or that the piece had drop finials like the piece on the right which were later cut off.

Here are two designs for what hall calls Center Tables. The piece I am working on resembles the piece on the right.